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Welcome to the Morning Formation.
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Warriors fall in.
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It's time for formation.
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Welcome back to the Morning Formation Podcast where we talk about adaptability, survivability, leadership, and the human stories behind the mission.
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Today's episode is a little different, but it's just as important.
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My guest is not a veteran or a first responder, but he is someone who has been in my personal and professional orbit for over 10 years now.
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He's a photographer, a filmmaker, and the founder of Films More Productions.
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This man has helped tell other people's stories just like I have for many years.
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And today we're going to pull back the curtain and we're going to talk about the man behind the camera, his upbringing, his recent health scare that he had that forced him into a slowdown.
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We're going to reflect, recalibrate, and talk about what's next for him personally and professionally.
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And today I'm absolutely honored to have him on the podcast because he is a friend of mine that I've watched grow over the last 10 years.
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And uh just so we know that the podcast that I have is not about the uniforms, it's about the people who show up, adapt, and keep pushing forward when life hits them in the mouth.
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Jeremy, welcome to the formation.
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Yeah.
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Thanks for having me, Keo.
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I appreciate it.
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Listen, man, it's an absolute honor.
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Um, I've been trying to get you on the show for a while now, man.
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And um I know that you've been traveling and you've been busy and you've been building your brand and everything.
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Um and for people out there, they only know you as the guy behind the camera.
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Yeah.
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But uh, who is Jeremy without the lens?
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Uh Jeremy is uh art head ever since I was, you know, like ever since second grade, bro, I've been into art.
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Art, and then it eventually, you know, turned into graffiti.
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But I've always just been fascinated with art, bro.
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Like growing up, it was like if you could draw good, you were like the coolest person in the world to me.
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And like, yeah, bro, like it the art has taken me all around the world, you know.
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Like it's crazy that it started from a very young age, and um, you know, I'm now I'm filming artists, yeah.
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So was there anybody that inspired you early on?
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Is there anyone else in your family that is into art as well?
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Nah, to be honest, that was it's in my DNA.
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It really is in my DNA.
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Like, I was just always fascinated.
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Um, yeah, bro, nobody put me on, but about like when I was 18 years old, bro, I met my biological father, and he's an artist.
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So I was like, oh shit, like maybe that has something to do with it, because it was like nobody ever told me, like, yo, bro, we should draw this and that.
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So uh yeah, I always just say it's in my blood.
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Nice.
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And I I I kind of know or kind of have an idea where you grew up and and how you grew up, but would you mind talking a little bit about your environment and and what shaped you early on?
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Yeah, so uh I was born and raised in Monterey Park, um, knowing uh Ripetto and Marqueppel.
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And uh yeah, bro, it's just I've always been into art, and uh I guess like how the universe works is like just people gravitated towards me, I gravitated towards them, and I was just always surrounded by artists, you know.
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It turned into graffiti, like you know, like going into high school.
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But um, yeah, bro, I've just it's been my whole life, you know.
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And um, you know, Monterey Park's a it's a small town and uh like 15-20 minutes from LA.
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You know, a lot of Asians, like it's it's chill, it's it's a trip, you know.
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Like back then when I was in high school, there was more non-Asians, I feel.
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Like you would see like skaters and shit roaming the streets here and there.
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Now it's just straight up Asians, like, which is cool, bro.
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It's like you know, it's a nice neighborhood.
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Yeah, it's very multicultural, man.
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When I moved to LA, I didn't realize how how diverse it would be.
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Like I didn't realize, like you you come from the East Coast and Midwest, whatever, it's usually just black and white and a little sprinkle of of like Latino here and there or whatever, but man, like it's quite the opposite here where it's all Latino and it's all like Spanish people everywhere, right?
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So it it's totally different.
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Um when you were young, what did you think your life was gonna be like?
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Um what did you think your life was gonna look like when you got older?
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What did you think was over the horizon for yourself, or did you really think much about that?
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To be honestly, uh to be honest, bro, I didn't.
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And uh my friend Leland, he was actually I I remember, bro, he asked me this question.
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He's like, where do you see yourself in five years?
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And like I think this might have been after high school, but uh I had never really thought about it, and I was like, damn, bro, I don't know, like I've never thought of my future, you know.
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Like I I remember just like at one point, well no, it was like I I had a few jobs here and there, you know, I was like very lost, bro.
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And like I didn't know what I wanted to do.
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Um, I had one at school for CNC machining because my mom's uh husband, Bobby, rest in peace.
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Dafu was a machinist.
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So he would like since I was so lost, he was like, bro, you should you should go to the school NTMA.
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And uh me, I was just like, yeah, yeah, sure, bro.
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So I I went to NTMA, me and my homie Pablo, and uh I went there for a year and you know, got certified in machining.
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I was probably like 20 years old, and uh worked, you know, a few at a few machine shops and hated it.
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I was like, dude, this is like hell nah.
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Like I was seeing dudes like who have been machining for like ages, bro, like 20 years, and like you just be standing there at this machine, bro.
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Like, I'm like, hell no, bro.
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Like, I can't, like, nah.
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I refuse to do this shit.
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And some of the bosses were douchebags where I was like, man, I gotta get out of this rat race, I gotta figure something out.
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Um so that was kind of eye-opening for you.
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Um I had a very similar case where I worked with my father at a it wasn't even that, it was like a sub a subcontractor for a Honda plant, and the only thing they did was headlights and taillights.
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And that was it.
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And it to me, like I thought I I mean, no f I mean, I guess offense because not no offense, offense.
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Like I like I thought to myself, like, this is it?
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Yeah, like am I like like did God put me on this planet to to make headlights and taillights and it was a real detailed man, and I just thought to myself, like, am I gonna be like 40, 50 years old standing around um just putting headlamps in and like that's it, because I felt like man, I've been through so much of my whole life, like I feel like I could do more than this, and it kind of inspired me to go to college, go into the military, and push forward um into I guess a higher level of career, and I was blessed and fortunate enough to to have those options to do that.
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Who do you think was your number one uh biggest influence growing up?
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Uh or did you have several?
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I mean, like what with the arts and stuff like that, or just in life?
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In life, and then also with the arts, yeah.
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Who who inspired you?
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I mean, bro, Tim Burden is like I've always loved Tim Burden.
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Like that dude's like his movies and like they're they're just so artistic, but then he even gets down with like claymations and stuff like that, and drawings.
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So to me, bro, it's like that's why I named myself Jeremy Filmsmore, because I was like, bro, I want to be like Tim Burden, you know, it's like Steven Spielberg and those dudes.
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But to me, Tim Burden is like he's a dude, and I I've always looked up to him even till this day.
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And um, but for the arts, like, or for like uh for for my career path, bro, like nobody in my family or friend group like did what I did.
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So it was like I I really just I don't know, bro.
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Like I I kind of took it like I inspired myself to go down this journey because there was really nobody that I could look at in my surroundings where like, yo, like they they did this filming, like they they took it this far.
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It was just like I don't know, I guess I dreamed big and just got addicted to filming, and I really didn't I didn't know I was gonna take it this far and traveling and all that stuff.
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It just like bro, if you if you're to tell me in high school, like bro, you're gonna be a filmer, I'd be like, no way, bro.
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Like I've only watched skate videos.
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Like I never thought of making like films and stuff like that.
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That's pretty wild.
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A lot of times what happens is um you I I I always use the comparison of kicking the can.
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Imagine yourself like on this long country road and you're just kicking this tin can down the road, looking down at it, focused on just kicking that can.
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The next thing you do is you look up and you realize how far you are.
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That's deep.
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And that you know what I mean?
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Like that's and for me, like that's how it's kind of been is it's uh uh when people ask me about my time in combat and things like that, and my time in the military, that's what I say is like it was almost like a sleepwalk.
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Like I was so mission focused that I didn't realize how far I'd come.
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Like next thing you know, like I'm a captain in the army and and I have the opportunity to do all these cool things, and and that's kind of what it sounds like with you, man.
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Like you just focused heavy on on your mission.
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Yeah.
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And you were just like kicking that can, focused on that can, right?
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Next thing you know, you look up and you're in Abu Dhabi, like doing it doing a sh doing a shoot, right?
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For sure.
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Tell me about uh some of the cool places you've been, man, some of the cool uh, I guess, projects you've been on.
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Uh man, I I guess like Amsterdam was one of the most recent places I went to that was like, whoa, this place is like crazy.
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Like it was just like I felt like I was like, damn, this is uh just like fairy tale over there, bro.
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Like the architecture and just like the color of the buildings, it's it's wild.
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People riding in the canals and stuff.
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Like, shout out to the homie uh AD, um Adrian, that that food took me out there for a job.
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Or no, he took me out there, bro, for my birthday, actually.
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Because we we were over there in Europe on a job.
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We did this like Tattoo Europe tour, and like uh he was going to Amsterdam, and um he invited me, like just he's like, bro, you want to come?
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Like, I'll take you for your birthday.
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So I was like, what?
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Like, I never been to like Amsterdam, bro.
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Like in Europe, I'd only been to Italy, which that that place is amazing too.
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Like, I went to Rome, and I was like, damn, I feel like I'm in ancient times over here.
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Like the buildings were like just the architecture is crazy, bro.
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You feel like you're like literally in the gladiator, like, bro, I went to the Coliseum, I went to the the Vatican, which is a crazy place, bro.
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Like, and I I've heard of like the Vatican, but bro, I never knew I was gonna go there.
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Wow.
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And it's like traveling really teaches me like about life, bro.
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Cause like, like, yeah, I'm I'm like, I going to the Vatican, it blew my mind because I remember hearing about it like five years ago from my uncle.
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He was like telling me, and I'm like lost.
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I'm like in Monterey Park, like, what are you talking about, bro?
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The Vatican, like, all right.
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And then once I go, I'm like, oh damn, like I start researching, and then I'm like, oh, this is this place is crazy.
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Yeah, yeah, that's pretty wild.
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You know, when I used to travel a lot, I'd be standing in like the I'd be standing in the middle of the Charles de Gaulle airport in Paris and in the terminal area, and I'd be standing there, and all these people would be surrounding me, and I would think to myself, I am so insignificant.
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Like I am just a speck on this earth.
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Like, and you don't realize how big the earth is when you don't really travel that much.
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But when you go to so many other places, man, and you see all the people and and you realize like this is a this is a big place.
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Like this is and it but your world could seem so small if you don't ever leave your community.
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Um how many countries have you been to?
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Who probably not that much, bro.
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I I was traveling a lot in the States, but I guess uh I've went international probably like six times roughly.
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Right.
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Like I went to Dubai, Australia, um or actually maybe less, Italy, Amsterdam, Germany, and I think that's it.
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What's your favorite?
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I mean, it's between Italy and Amsterdam.
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Like why?
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Oh, I actually went to Australia too.
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Shout out to the homie Jolt.
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But um, yeah, I guess Italy was just because like bro, I'd never been somewhere where I was like, damn, bro, like this is to me, uh like I like seeing things that are out of this world.
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So when you go to uh Rome, you're like, damn, bro, like this is history, bro.
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Like being in the Coliseum was insane.
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Like I was just like, whoa, bro, like how many people died here?
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Like, like there's just so like so much history that I really didn't know too much, but the you know, we got a tour, and the dude was just telling us like how crazy and violent, and just like I'm like, bro, like my imagination just went wild, and I was like, bro, this is like those are some crazy times, and people experience that, bro.
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Yeah, yeah.
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Yeah, it's really part of our DNA, man.
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The um, I guess just all the trials, tribulations, the violence, and all that stuff that it took to conquer lands and and things like that.
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And to be in the middle of that is is really very, very surreal.
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Do you have any uh wild stories that you care to share about some of your overseas uh ventures that that you had, any that like stick out in your mind?
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Yeah, I got one really crazy story.
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I was uh out in Rio de Janeiro, and um the homies uh well the homegirl Henry and VG, they they had took me on this hike, which was like it was in the back of the favelas, like you hiked up this fucking mountain, and uh I got a really sick drone shot of like of the favelas from from that hike, but uh you're you're going up right, and it's like it's steep, bro.
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Like these these homies are with, they climb buildings like like crazy shit, bro.
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So to them, they're like doing it in like chanclas, bro.
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They're like up me.
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I'm like scared, bro.
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I'm like going up, like, yo, this shit's getting steep, bro.
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Like, how are we gonna get back down?
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And like we get to the top, and it's like the sun's setting, and I'm like, yo, like I can't go back down that way, like, there's no way I'm going that way.
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So we're at the top of the favelas, bro.
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And they're staying, they're renting an Airbnb or something at the bottom of the favelas.
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They have one friend who's a tagger who who lived in the favelas, so like I guess that was like one name they could say, if anything, but they their thing was like, oh, they're they're tattooers, and we're staying in the favelas.
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That was their story.
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But so, bro, we we get at the top, and it's like fucking the most sickest view of ever seen, bro.
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It's like um you you're just looking over real, bro.
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You see like ocean, the moon, like the the mountains are like looks like a movie shit, bro.
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Like cartoons, you know, it's like real steep.
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But um, I'm up there, I'm like, damn, this is dope.
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And then they're like, alright, yo, we're gonna go through the favelas to get down.
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They're like, don't film, like, do not film at all.
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They they will kill you here, like you'll disappear straight up.
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So I'm like, alright, alright.
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And like I just watched City of Gods too.
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Have you seen that movie?
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No, bro, it's a sick movie.
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It's it's a film in Brazil, it talks about favelas.
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So I I'm over here, like, bro, I just watched City of Gods the other day.
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I'm about to go through a favela.
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I'm like, all hyped.
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Bro, we fucking start going because we gotta go down.
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It's these two dudes, they're like they're like mid-20s, bro.
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They see us, bro.
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They start speaking Portuguese.
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They literally whip their guns out and cock that shit.
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And they're like talking to the homies, but I could hear the tone he's talking in.
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I'm like, this shit ain't cool that we're right here.
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I'm like, nah, this like fuck.
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This is crazy.
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And they're literally like at one point, this fool's like, gringo, and he points at me, and I'm like, Oh, they're talking about me, bro.
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So literally, I was like, I wave, I'm like, I'm like, dude, do like the whitest shit you can do is just like like wave, bro.
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Like the the you know, just be friendly.
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And uh you didn't start speaking Spanish?
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No, they only speak Portuguese.
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Oh man, so they're like, yeah, they're saying their shit, bro.
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And and one dude's pissed that fool cocked his gun was like heated, bro.
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And then the the other homie was like a little more lenient, so like he was mad too, but he he let us go.
00:18:22.000 --> 00:18:24.160
It's like, just get the fuck out of here, bro.
00:18:24.240 --> 00:18:27.440
Like when you said favelas, like what exactly is that?
00:18:27.680 --> 00:18:30.400
Bro, the favelas is like the projects and real.
00:18:30.799 --> 00:18:32.240
So it's ghetto, bro.
00:18:32.319 --> 00:18:39.440
It's like, yeah, like just picture a mountain of houses, like really like bro, the poorest.
00:18:39.519 --> 00:18:42.799
I think a lot of those people make those houses, if I'm correct, bro.
00:18:42.880 --> 00:18:47.680
Like just the poorest of the poor, but they have the most amazing views.
00:18:47.839 --> 00:18:50.000
Like, it's it's uh it's weird, bro.
00:18:50.079 --> 00:18:59.200
Like, cause their view is like a fucking multi-million dollar fucking ocean view, but they're just living in like the slums, bro.
00:18:59.599 --> 00:19:02.079
And uh the cops aren't allowed in there.
00:19:02.240 --> 00:19:06.079
Wow, like yeah, they they literally they they cannot go in there.
00:19:06.319 --> 00:19:10.720
It's strictly like I hear they feed your ass to the pigs and shit like that.
00:19:11.039 --> 00:19:12.799
But so what happened?
00:19:13.039 --> 00:19:15.359
So, bro, yeah, I thought I was gonna die.
00:19:15.920 --> 00:19:26.960
And fucking luckily those dudes let us through, and uh and then uh yeah, we just walked to the do the whole favelas, bro, and I'm like right there, and like they didn't shake you down?
00:19:27.279 --> 00:19:32.480
Nah, but if they would have, they would have found my drone because I had it in my fanny pack.
00:19:32.720 --> 00:19:39.920
And bro, I don't know how that would have turned out because I I don't know, like they're they're just some real gangsters, bro.
00:19:40.079 --> 00:19:44.400
Like, and so we start walking down, and then it's like a movie, bro.
00:19:44.480 --> 00:19:59.200
Like, there's just like young kids like with machine guns, like the the cops are the local gangsters, so they're just like right there, machine guns, like every every you know so often you'll just see them right there, like guns out, just patrolling, bro.
00:19:59.279 --> 00:19:59.839
Like shrimp.
00:20:01.039 --> 00:20:07.680
And their chanclaws, like, and you know, after we we went through the first group of guys, like I felt more safe.
00:20:07.759 --> 00:20:12.000
They're just like, don't film, like, as long as you don't do that, you're cool, bro.
00:20:12.319 --> 00:20:17.519
So we just walked through and we drank a beer in there, and it was crazy, bro.
00:20:17.680 --> 00:20:21.440
Motherfuckers were looking like, yo, I know this dude's not from here.
00:20:21.519 --> 00:20:23.200
Like, it was I was getting weird looks.
00:20:23.440 --> 00:20:25.039
But did you have any protection?
00:20:25.440 --> 00:20:26.160
Nah, bro.
00:20:26.319 --> 00:20:27.119
Jesus Christ was.
00:20:27.599 --> 00:20:28.720
I mean, that was it, bro.
00:20:28.960 --> 00:20:33.200
I mean, what did you have anybody with you that like spoke the language or was familiar with the area you said?
00:20:33.440 --> 00:20:36.400
Oh yeah, so the the homies, it was uh Enry and VG.
00:20:36.799 --> 00:20:39.839
They're they're like uh they're they're Brazilian artists.
00:20:39.920 --> 00:20:47.599
They they do this shit called uh Pichal San where they they uh they climb buildings and do it's like their type of graffiti.
00:20:47.920 --> 00:20:50.000
So they're familiar with they've been there before.